Graphic Design
Package Design: Showcasing a Better Mousetrap
Adapted from Information Design Workbook (Rockport)
By Kim Baer
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Case Study
simplehuman
Project Packaging
Design Firm
Smart Design |

As a contrast to the clean white
backgrounds and the neutral
colors in the product photography,
a clean, vibrant color palette was
developed to attract attention.
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Founded by an entrepreneurial CEO
who figured out how to “build a better
mousetrap,” simplehuman, a home product
design company, created an elegant,
well-engineered, yet affordable trash can
that appealed to people with contemporary
taste. It was especially timely given a trend
toward commercial-grade kitchens in the
home, complete with well-designed, high-performance
appliances.
When simplehuman needed to develop a
logo and a packaging language, they chose
Smart Design because the firm knew the
“space” well, having done similar work for
OXO, another company specializing in
high-end housewares.
Performance Driven. With a focus on consumer-driven products, Smart Design's packaging and branding efforts are informed by years
of design experience. The designers understand
that, just like the product itself,
packaging needs to meet performance
objectives. With little control over how the
product would be displayed in large retail
environments chock-full of competing
products, they needed to create packaging
that would stand out from the clutter. As
Smart Design cofounder Tom Dair says,
“Most retail packaging is overly complex
and gimmicky. We knew we could make the
packaging stand out by paring back the
imagery and text to the essential elements.”
Since most retail environments are selfserve,
the packaging had to attract and
educate. This was particularly important
given that simplehuman didn’t have a big
budget for print or broadcast advertising.
The packaging was both the billboard and
the sales representative.
Knowing consumers are time-stressed and
hassled about making purchasing decisions,
the goal was to have the package highlight
the product’s areas of innovation. Smart Design
was careful to use benefit statements
rather than listing features. Dair says, “If
you focus on product features, you’re leaving
it up to the consumer to figure out how
the features become beneficial.”
| “Good design, good typography is a function of information
and inspiration, of the conscious and unconscious,
of yesterday and today, of fact and fantasy, work and
play, craft and art.” —Paul Rand
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Some products sold at higher price points,
so it was important to differentiate the
product from competitors to help the consumer
clarify the different features/benefi ts
in the simplehuman line.
Modular System. In addition to cartons, the
designers developed a system for detailed
but elegant labels attached to the product
itself, so customers could get information
even if retailers took the products out of
the boxes to save display space.
Because simplehuman was committed to
developing additional product lines, it was
important to create a modular approach to
the visual language. The design had to be
unified but flexible, and work for accessories
as well.
Success has meant that simplehuman’s
in-house design department continues to
implement the system. The product line
looks cohesive, even with packaging that’s
quite different in terms of size, shape,
and materials.
As Dair says, “You’re helping to set the
consumer’s expectation. Luckily, these are
great products. We didn’t have to create a
lot of vapor around them. We just needed
to reflect the company’s commitment to
creating tools for efficient living.”

In order to convey a look that is
sleek and modern but also simple
and friendly, the front panel
features a “hero shot” of the
product with a simple overlay of
elegant type. There was a heavy
emphasis on white space to
help it stand out in the cluttered
retail environments.
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In addition to boxes, Smart
Design developed a system for
detailed but elegant labeling for
the product itself, so customers
could get information even if
retailers took the products out of
the boxes to save display space.
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The product line looks cohesive—even with packaging that is
quite different in terms of size,
shape, and materials.
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Excerpted with permission from Information Design Workbook (Rockport) by Kim Baer. Copyright © 2010 Rockport.
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