Photoshop
Photoshop Healing Brush Strategies
Adapted from Adobe Photoshop CS3 for Photographers (Focal Press)
By Martin Evening
Dateline: September 18, 2007
Version: Adobe Photoshop CS3
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The healing brush offers a choice of
blending modes. The Replace mode is
identical to the clone stamp tool, except
it allows you to merge film grain more
reliably and smoothly around the edges
of your brush strokes. The other healing
brush blending modes can produce
different results, but in my opinion they
won’t actually improve upon the ability of
the healing brush in Normal mode, since
the healing brush is already utilizing a
special form of image blending to perform
its magic.
You can also use a Pattern preset as the source for the
healing brush or patch tool by choosing a preloaded preset
or creating one of your own. The Filter > Pattern Maker
is ideal for this purpose as you can sample from just a
small area of useful texture in an image and use the Pattern
Maker to create a randomly generated pattern source that
can be used to apply a smoothly blended texture over a
larger area of the picture using the healing brush. The
following example illustrates how you can use the healing
brush and patch tool to solve a rather more complex
retouching problem. Although the healing brush and patch
tool are natural candidates to use here, I needed to plan
carefully how they would be used, as I also needed to rely
on the clone stamp tool to do some of the preparation work,
in particular where the edges of the selection to be healed
extend to the edge of the document bounds.
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Let us consider how we would go about covering up all the
exposed bricks in the picture opposite, so as to match the
remaining plaster work. Some of these areas are too large to
use the patch tool in one operation. Notice how I prepared three
paths, to define some of the areas to be repaired, that closely
followed the outline of the cactus leaves. These will be used in
the following steps. To begin with though, I converted Path 2 into
a selection by dragging the Path 2 palette icon down to the Make
Selection button in the Paths palette.

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I then used this selection to copy the pixels to make a new layer.
Choose: Layer > New > Layer via Copy (Command/Control-J). I
clicked on the Lock Transparency box in the Layers palette and
selected the clone stamp, and was then able to clone some of the
pixels in the image to provide a wall textured border edge on the
left and the right. I did this in order to provide the healing brush
or patch tool some edge pixels to work with. If you don’t do this,
Photoshop will try to create a patch blend that merges with the
cactus leaf colors.

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I could have tried selecting the healing brush and attempted to
sample some of the plaster texture to fill in the remaining gap.
In this and the other sections I wanted to repair, the area to be
covered up was so large that I decided to create a new pattern
based on a small selection of the image. I made the Background
layer active and chose Pattern Maker from the Filter menu. I then
marquee selected a small area as shown here.

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I made the tile area fairly large (600 pixels square in this
example) and I set the Smoothness setting to 3. If I clicked on the
Generate button at the top of the dialog, the Pattern Maker would
generate a randomized pattern that is a wraparound texture, the
result of which is previewed in the dialog. I didn’t need to click
OK as this would apply the texture as a fill to the current image.
Instead I clicked on the Save Preset Pattern button at the bottom
of the dialog. Once I had named the new pattern, it would become
appended to the other Pattern presets and it was then safe for me
to click the Cancel button to return to the main image.
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I then activated Layer 1 again, selected the patch tool and drew
a rough selection of the plaster wall area I had just prepared as
shown in this close-up image.
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I selected this new custom pattern in the patch tool
options, then clicked the Use Pattern button. As you can see,
Photoshop was able to calculate a perfectly smooth blend,
and this was achieved using a texture pattern that had been
synthesized in Photoshop.
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I repeated these steps on the other parts of the photograph
so that eventually I ended up with the finished result shown here (click to enlarge).
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