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Photoshop Tips

Magnetic Lasso Tool Selection Techniques in Photoshop

By Roger Hunsicker

Dateline: March 7, 2006
Version: Photoshop CS

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Does it seem like the Magnetic Lasso tool loses its way around the simplest selection? Surprisingly, just setting an anchor point or varying the tool size can get this tool on track again. Once you understand the value of the tool’s options and use a few keyboard shortcuts, the Magnetic Lasso will actually become a real time-saver.
Have you ever started making a selection with the Magnetic Lasso and then tried to click on the Options bar to refine the settings? The lasso doesn’t let go, does it? Once you’ve begun creating a selection with the Magnetic Lasso, the active path will continue to track your mouse until you complete the selection. But you can work around that limitation by using keyboard shortcuts to zoom, scroll, and change the tool settings during the selection process.

Download the parrot.zip archive, open parrot.jpg and set the View to Fit on Screen (Command/Ctrl-0). To access the Magnetic Lasso tool, continue pressing Shift-L until it appears in the toolbox. Prepare the tool in the Options bar by setting Width to 18 pixels (based on the resolution of the parrot image), Edge Contrast to 10%, and Frequency to 57. Make sure Anti-aliased is checked, but uncheck the Pen Pressure box. At this point, leave Feather set to 0, and add a feather if necessary once you’ve completed your selection. (A good tip to remember before feathering is to clean up your selection by choosing Select > Modify > Contract and entering 1 pixel.)
Set the Magnetic Lasso’s starting point by clicking where the left edge of the parrot’s wing meets the arm. The Width setting tells the tool to look for edges within an 18-pixel circle centered on your click. The 10% Edge Contrast determines how sharp an edge the Magnetic Lasso will detect. If you feel the edge is exceptionally sharp, you can adjust Edge Contrast by pressing the Greater Than key (>) and you’ll increase the value instantly. To decrease the value, just press the Less Than key (<).
After establishing the starting point, just move the mouse up the edge of the parrot’s wing without clicking. The Magnetic Lasso automatically builds a working path by periodically placing anchor points at a rate based on the Frequency value, as shown at left (click to enlarge). To reduce the Frequency value, press the semicolon (;). To increase it, press the apostrophe (’). When the direction of an edge changes abruptly, like at the corner of the parrot’s beak and neck, click once to set an anchor point to avoid rounded corners.
If the Magnetic Lasso loses the edge and misplaces an anchor point, mouse over the previous point and press Delete/ Backspace to remove it. If the working path runs astray before setting an point, back up and move the mouse a little slower over the edge. If this doesn’t help, zoom in by pressing the Plus key (+), and press the Left Bracket key ([) until you lower Width to 1. Press the Spacebar and the lasso converts to a hand to move the image. After passing the difficult area, return Width to its original value by pressing the right bracket (]) and zoom out with the Hyphen key (-). Note: This does not work with CS.
To create a straight section of your working path, Option/Alt-click to set the first point, and the tool temporarily changes to the Polygonal Lasso. Click again to complete the straight section, and the tool automatically returns to the Magnetic Lasso. You can, however, continue Option/Alt-clicking to create multiple straight edges.
Magnetic Lasso Tips
You can remove negative space from a closed path by Option/Alt-clicking the tool to set an initial point inside a selection, then proceed as before to define the edge of the area to be removed.

When your working path comes back around to the starting point, the Magnetic Lasso will show a small circle next to it, and you can click once to complete the selection. If you want to end a selection before your working path comes full circle, double-click the mouse.

If the working path comes across a particularly soft border and doesn’t handle it well, reduce Width to 1 pixel as suggested in Step 4, but also reduce Edge Contrast to 1 and increase Frequency to 100. Just remember to push values back to their original settings after passing the ill-defined area.

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Roger Hunsicker is Advertising Coordinator for Caterpillar, Inc., in Peoria, Illinois, and president of Proof Positive Design Group, a Web hosting and Web design firm.
  

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