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Photoshop Tips

Creating a Collage With Stock Photos in Photoshop

By Victoria Spah

Dateline: February 27, 2006
Version: Photoshop CS

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Just like a movie, every collage has its stars. But what would the leading players be without a strong supporting cast? Capitalizing on the versatility of stock images is an effective way to take a simple photo and transform it into an attention-grabbing image. To follow along with the text in Photoshop, download the musicman.zip archive (3 MB), extract and open the musicman.psd file.
When making a collage’s foundation, it’s important to keep some breathing room around your base images. Then, to smoothly blend supporting images, give them plenty of semitransparent edge pixels by loosely lassoing an image, adding a mask, and applying a Gaussian Blur to the mask to fade edges. Touch up the selection by painting with a soft, low-Opacity airbrush on the mask. Here, I started with a photo of a cellist as the star character and added a complementary stock image of a sky.
Once a base is set, support leading players by finding iconographic images, or evocative shapes, colors, and lines. The goal here is to create a mood through symbolism. I masked an image of strings, which also emphasized the cellist’s brown tones. Usually, these images look fine in Normal blending mode, but you can experiment with other modes, Opacity, and masks to combine images more seamlessly. For example, I masked a flower image and set the blending mode to Overlay at 53% Opacity to blend it thoroughly with the foundation. I also masked an image of sheet music and set the layer to Color Burn.
To blur intersections between images, span textural images across them that impose a common pattern of relief, color, and light. Close-ups of texture are ideal, be they of natural or man-made textures such as paper, painted surfaces, rocks, rusted metal, or even condensation on a window. To convincingly blend texture, it may be helpful to alter color, brightness, Opacity or blending mode. Blend modes like Overlay, Hard Light, and Soft Light are ideal to soften details, especially with rough textures. You can also add a mask to selectively reduce the opacity of overwhelming areas. Select the mask thumbnail, dab with an airbrush where you need to lighten, then smooth the transition by applying a Gaussian Blur to the mask. I duplicated a layer of crinkled pink paper and placed the layers side by side, then desaturated them (Shift- Command/Ctrl-U), and set the layers to Hard Light at 46% Opacity. An advantage of using textural images is you can stretch them to draw out contours and spread subtle shapes across image borders. I placed a close-up image of rocks and used Free Transform (Command/ Ctrl-T) to extend it over the canvas, then set the layer to Soft Light at 64% Opacity.
Light the stage! Look for stock images with bright color or splashes of light to further unify your collage or place focus on your stars. I positioned the golden reflections from a trumpet image on a layer set to Screen to accentuate the cellist’s face. Stock images can also be used like a stamp to create echo balance. I duplicated the trumpet layer, scaled it down with Free Transform, set it to Screen at 77% Opacity, and moved it to the lower left corner. I added another image that contained a bright central area and gently adjusted the play of light by setting the layer to Soft Light at 62% Opacity. (Only the lighting layers are visible in this step’s image so you can see their placement. They are shown with blending modes applied, prior to any Opacity changes or masking.)
The final image is shown at left.

More Collage Techniques
  • Add a Levels adjustment layer at the top to deepen the color of the entire image, as I did here.
  • Place an image at the top of the Layers palette and set the blending mode to Color.
  • Choose Image > Adjustments > Match Color to impose the colors of a stock image onto your piece.
  • Rearrange the layer stacking order.
  • Sample from a stock image with the Eyedropper tool to set Foreground and Background Colors. Add a Gradient Map adjustment layer.
  • Leave a stock image’s blending mode set to Normal, move it below a base image, and change the base image’s mode instead.
  • Position a stock image so not all of it appears in the canvas, or manipulate it by rotating or flipping it.
  • Use stock images with streaks of light to emphasize direction.
  • Blur a detailed image for straight coloring or lighting.
  • Add lighting by setting a black-and-white image to Screen. Working intuitively is important, but if you can’t justify an image’s inclusion, maybe it doesn’t belong. Ask yourself, “Is the collage better because of this addition?” You may find a later addition of an image makes an earlier favorite obsolete.
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Victoria Spah is a post production media specialist at the University of Virginia.
  

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