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Photoshop Tips

Put Photoshop's Crosshatch Filter to Work

By Roger Pring
Adapted from Photoshop Filter Effects Encyclopedia (O'Reilly)

Dateline: December 27, 2005
Version: Photoshop CS2

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How it Works
Crosshatch is a close cousin to Angled Strokes, but with equal emphasis in each stroke direction. The filter has the advantage over real artists’ cross-hatching, in that individual strokes are composed of different colors because they react to the underlying image.
Medium settings of Stroke Length 25, Sharpness 10, and Strength 2 produce an over-strong result on this small original.
Decreasing Stroke Length to 10 and increasing Sharpness to 20 produces an interesting “knitted” effect.
With both Sharpness and Strength at maximum, the image is attacked on all fronts, and is perhaps a little too abstract to be useful.
At the same settings, the target image shows how this filter introduces spectral noise effects in gray areas.
Using the Crosshatch Filter

This simple technique applies Crosshatch in increments, in conjunction with Image > Adjustments > Hue/Saturation.
Apply the Crosshatch filter with Stroke Length 8, Sharpness 3, and Strength 2.
Choose the Lasso tool and set it to a soft feather of about 20 pixels in the Tool Options bar.
Select all (Ctrl/Cmd+A), hold down the Alt/Option key and use the Lasso tool to subtract a small area from the overall selection. When the subtraction is complete, hit Ctrl/Cmd+F to re-apply the filter at the same settings.
With the selection still active, go to Image > Adjustments > Hue/ Saturation and reduce the saturation of the selected area. We took this initial selection down to -24.
Once again, use the Lasso tool with the Alt/Option key depressed to further reduce the selection. Reapply the Crosshatch filter (Ctrl/ Cmd+F) then reduce saturation as before.
Continue subtracting from the selection, reapplying the filter and desaturating until only the last active area remains. The effect is a gradual increase in color up to the focal point of the image—the tiger’s face.
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Roger Pring is an author, graphic designer, and educator who runs the Cooper Dale design consultancy in London, England.

  

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