Insight
Mastering Adobe InDesign's Pathfinder Tools
By Galen Gruman
Dateline: November 11, 2005
Version: InDesign CS
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Chances are, your InDesign
layouts will eventually use
more complex shapes than the
standard rectangles, ellipses,
and polygons. You could create
them from scratch using
the Pen tool as if you were in
Illustrator, but there’s no need
to bother when InDesign CS
gives you the option to combine
existing shapes with Pathfinder tools.
Note that the Pathfinder tools are
not the same as compound paths
(Object > Compound Paths >
Make), which is InDesign’s approach
to joining lines together
so they become one object for
editing and manipulating. You’ll
still use compound paths in InDesign CS to combine multiple
paths into one.
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Create shapes using InDesign’s
Frame or Shape tools. Shapes can also
contain images or be text converted
to frames (Type > Create Outlines).
Be sure to not create lines using
the Line tools—use thin rectangles
instead—since InDesign CS can’t combine
lines with shapes. (It will instead
apply the line as a stroke to
the selected shapes or ignore the
line, depending on what action you
take.) Also, be sure no objects are
grouped—the Pathfinder tools will
also ignore grouped objects. Here,
I’ve created molecular shapes with
a series of circles and thin rectangles.
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Select the shapes you want to work on, and open
the Pathfinder palette (Window > Pathfinder). Apply
one of the five options from the Pathfinder palette
to the shapes. To combine shapes into a single shape,
click the Add button (left icon). InDesign will convert
the separate shapes into one shape, making it a Bézier
object. Notice that the top shape’s fill, image, or text will
become the fill for all. The other icons, from left to right,
act as follows: Subtract removes the front object from
the object(s) behind it, cutting out the back shape(s) as
needed; Intersect deletes all the selected objects except
for the parts that overlap, merging the overlapping
portions into one object; Exclude Overlap merges the
selected objects and removes any overlapping portions,
creating holes; and Minus Back acts like Subtract except
it removes the back object from those above it.
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To really take advantage of the Pathfinder tools, you’ll
need many overlapping shapes, since that gives you more
possibilities for interesting effects. For example, using Subtract
can create abstract designs, while Exclude Overlap can
create kaleidoscopic ones.
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Here, I took the four large circles and combined them
into one shape with the Add tool, then placed a photograph
in it. I then selected the molecular shape above it and used
Exclude Overlap to cut it out of the background shape.
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The final layout is shown at left (click to enlarge).
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Galen Gruman is a veteran
desktop publishing expert
and author of the “InDesign
CS Bible” and “Face to Face: QuarkXPress
to InDesign.”
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